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An Ovid Reader : Selections from Seven Works

Series: BC Latin Readers
Author: Carole E. Newlands
Product Code: 7223
ISBN: 978-0-86516-722-3
Pages: 224
Availability: In stock.
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Ovid’s poetry, once regarded as superficial in comparison to that of other Augustan poets, is now hailed for its artistry, its mastery at storytelling, and the profound influence it has had on literature and art from the poet’s own time to the present day.


This Reader’s commentary gives grammatical and syntactical assistance, seasoned with appreciation of the fine points of Ovid’s complex literary style. Latin selections are drawn in part from his elegiac poems and demonstrate the new range of directions for elegy developed by Ovid: not merely love elegy (Amores, and with a fresh epistolary form in Heroides); but also didactic and aetiological elegy (Ars Amatoria, Fasti), each with a twist on expected subject-matter; and exile poetry (Tristia, Epistulae ex Ponto), whose elegiac themes are adapted from earlier poetry to express emotional as well as political meaning after Ovid’s banishment from his beloved Rome. Select passages from the epic Metamorphoses, a brilliant experiment that uses a variety of genres under a unifying theme, fill out the collection with the work acknowledged to be Ovid’s major achievement.


Special Features

  • Introduction to Ovid’s life, works, style, and meter
  • 556 lines of unadapted Latin text in 30 selections from 7 works: Amores 1.1.1–4; 1.6.27–40; 1.9.1–20; 1.13.1–18, 21–26, 47–48; 2.15.1–28 • Heroides 3.1–4, 113–20; 5.61–88; 7.181–96 • Ars Amatoria 1.1–4, 17–34; 1.89–102; 1.505–24; 3.329–48 • Metamorphoses1.168–88; 2.227–34, 272–84; 3.173–98; 3.402–17; 4.93–127; 5.585–600; 10.270–94; 13.764–69, 838–53; 15.75–95; 15.871–79 • Fasti 1.89–102; 2.813–36; 4.305–28; 5.193–212 • Tristia 1.7.15–30; 4.6.1–18; 4.10.1–2, 17–26, 41–66 • Epistulae ex Ponto 3.3.5–20
  • Suggested reading; five illustrations

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Review by: Sharon Kazmierski, The Classical Outlook - June 1, 2009
GOOD THINGS COME IN SMALL PACKAGES Bolchazy-Carducci has recently commenced launching the first titles in its Latin Reader series, a new collection of innovative high intermediate and advanced Latin readers, specifically designed for college-level study. Under the expert guidance of series editor Ronnie Ancona, Professor of Classics at Hunter College and The Graduate Center, City University of New York, these small, duodecimo-sized paperbacks are intended to introduce authors and genres to students in upper division undergraduate courses. Written by recognized experts, each book will include approximately 500-600 lines of authentic Latin text, accompanied by a thorough introduction, bibliography of suggested reading, annotated commentary, and full vocabulary. There are currently two volumes available, A Lucan Reader: Selections from Civil war (ISBN 978-0865166615) by Susanna Braund and A Terence Reader: Selections from Six Plays (978-0865166783) by William S. Anderson. According to the Bolchazy website, seventeen additional volumes are currently scheduled to be issued. Upcoming authors include Plautus, Sallust, Cicero, Sueconius, Tacitus, Vergil, Caesar, Martial, Apuleius, and Livy. Topics co be covered include Roman Women, Roman Verse Satire, Latin Epic, and Roman Army. Additional authors and themes are under consideration. The inaugural volume, A Lucan Reader, is an introduction to the Silver Age epic poem (often referred to as Pharsalia) retelling the events of the Civil War between Julius Caesar and Pompey. Rarely studied by third and fourth-year college Latin students, this reader provides the opportunity for advanced undergraduates to sample some difficult but fascinating Latin. Following a detailed and compelling introduction, Braund has selected high interest passages: the causes of the Civil war, Caesar at the Rubicon, the abandonment of Rome, the necromancy of Erichtho, Pompey's visitation by Julia's ghost, and Caesar in Troy. I have never read Lucan, bur now find myself intrigued. The second volume, A Terence Reader, released just this summer, is an introduction to Roman Comedy. Following a consistent format, Anderson's introduction provides essential background for students and a brief history of Roman Comedy. He then proceeds to explain what made Terence's plays unique, original and thought-provoking. Selections in this volume include excerpts from Andria, Heauton, Phormia, Hecyra, Eunuchus, and Adelphoe, followed by commentary to put the passages in context and provide grammatical assistance. There is also a helpful appendix, with information regarding comic meters. Fans of comedy will be happy to know that the next volume in the series, to be released later this year, will be A Plautus Reader: Selections from Eleven Plays (ISBN 978- 0-86516-694-2) by John Henderson. Given the size of these short readers, teachers and professors should find them useful when customizing a course. Professor Ancona notes that they are ideal for use in combination. I observe that they are inexpensive ($19.95) compared to many college textbooks. Instructors can feel free to mix and match authors and themes to suit their curriculum without causing too much damage to their students' bank accounts. Motivated readers of Latin can sample new authors and themes with expert guidance. Secondary school teachers may even wish to challenge their skilled Advanced Placement students after completing the exam, using some of these selections as a follow-up to the anticipated Caesar/Vergil syllabus. To discover more about this intriguing new collection, visit the BC Latin Readers website at http://www.bolchazy. com/readers/ where you can find out more about what will be included in each volume as well as read a short biography of each series author. To see Bolchazy's complete catalog, visit the main website at http://www.bolchazy.com. Questions may be directed to their customer service at info@bolchazy.com. You may also write their headquarters at Bolchazy-Carducci Publishers, Inc., 1570 Baskin Road, Mundelein, Illinois 60060, Tel, (800) 392- 6453, Fax: (847) 526-2867. -Sharon Kazmierski The Clearing House, Classical Outlook Fall 2009
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