Home  >  Latin  >  Advanced

A Caesar Reader: Selections from Bellum Gallicum and Bellum Civile, and from Caesar's Letters, Speeches, and Poetry

reviews
Series: BC Latin Readers
Author: W. Jeffery Tatum
Product Code: 696X
ISBN: 978-0-86516-696-7
Pages: 246
Availability: In stock.
Bookmark and Share
Paperback $19.00 Qty:

eBooks available to United States and Canadian customers from:

 

eBooks available to United Kingdom customers from:

 

eBooks available to Australian customers from:

 

eBooks available to Worldwide customers from:

 

Request an exam copy:


A mature but accessible Latin, a narrative brimming with historical significance and fascination: these were once touted as obvious advantages of reading Caesar's Bellum Gallicum. A change in sensibilities, however, read Rome’s brutal invasion and conquest of northern Europe as problematic, if not disturbing. But questions about the validity of Rome’s actions—and of Caesar's, especially in his later Bellum Civile—are precisely what make these commentaries compelling to read and to discuss. Additional selections from Caesar's letters, speeches, and poetry offer fresh perspectives on his stylistic versatility. Tatum’s commentary guides readers through it all, pointing up Caesar's significance as a representative of his age, culture, and class, while not skirting issues raised by the "intriguingly unsimple mentality" that gave us these works.

 

Special Features

  • Introduction to Caesar’s life, times, works, and style
  • 588 lines of unadapted Latin text selected from Caesar’s two historical commentaries as well as from his extant correspondence, oratory, and poetry: Bellum Gallicum BOOK 1: 1.1–1.4, 2.1–3.1, 7, 11–12, 34–36; BOOK 2: 19.6–22.2; BOOK 5: 27; BOOK 6: 13–14, 16, 21, 24 • Bellum Civile BOOK 1: 3–4, 7, 22–23; BOOK 2: 31–32; BOOK 3: 1, 57, 103.2–104.3 • Cicero Ad Atticum 9.7C (Caesar to Oppius and Cornelius), 10.8B (Caesar to Cicero) • Suetonius Vita Divi Iulii 6 (fragment of Caesar’s funeral oration for his aunt Julia) • Suetonius Vita Terentii 7 (Caesar’s poem on Terence)
  • Notes at the back and complete vocabulary
  • Appendix on Latin prose rhythm
  • Three maps and three illustrations
Review and Rate this Item
Be the first to submit a review on this product!
Review and Rate this Item

Reviews

Review by: Thomas Howell, New England Classical Journal - NECJ 39.4 (2012) - December 1, 2012
Caesar seems to be back in vogue these days. Consider Tatum's bibliography, which runs four pages despite restricting itself mostly to works written in the last twenty years. The case could be made that there is not exactly a paucity of texts to use if you are looking to study or teach him. In that context, what does Tatum's volume, one of Bolchazy-Carducci's Latin Reader series, have that other readers lack? The answer, I think, is in the unique passages in the reader and the thorough and subtle cultural and stylistic apparatus for understanding them Tatum provides. Tatum focuses on Caesar's "extraordinary versatility as a stylist as well as ... his significance as a representative of his age, culture, and class" (xi), and it is true that Tatum draws his selections from a wide variety of Caesar's writings meant to showcase this versatility. It also means that Tatum is prioritizing variety over theme. While many of the selections seem chosen to showcase Caesar's use of narrative as propaganda, some, like Caesar's account of Pompey's death, seem to stand in isolation. Over half of the Latin Tatum selects comes from the Bellum Gallicum, and these selections are more or less the ones that you would expect to see. The reader begins with the celebrated Gallia est omnis divisa, then moves into the Helvetian campaign. Tatum chooses passages here that highlight Caesar as a propagandist and apologist, and supports this characterization with background essays and notes that provide context for why the Romans feared Celtic tribes and how Caesar took pains to justify his involvement. Ariovistus is up next, followed by the Nervii's ambush of Caesar's forces from BG 2.19-22. Tatum, stopping briefly to hear Ambiorix's speech in BG 5.27, ends his tour with ethnographies of the Celts and Germans from BG 7. Tatum's supporting materials here are especially interesting, since he discusses not only Caesar's possible sources but also compares his account with other ethnographies of the area, including Tacitus' Germania. Tatum shifts his strategy for the Bellum Civile, choosing fewer but longer passages. He begins with a pair of passages from book 1 that introduce the complex political situation Caesar finds himself in and an explanation to his followers of why he is in the right (BC 1.3-4, 1.7). Tatum's next two selections reveal action in the war through the surrender at Corfinium and Curio's rousing speech before his ultimate defeat in Africa. The last trio of passages show Caesar's lenitas, his attempts to persuade aristocrats by speech rather than violence, and finally the scene of Pompey's death. What is most interesting and unusual is Tatum's inclusion of lesser known selections of Caesar's works: two of his letters, a fragment of the funeral oration for his aunt, and a clever poem about his opinion of Terence as a dimidiate Menander (28). I would wager that most students first approach Caesar through a lens formed by popular cultural images of the man as a military genius and dictator; to see Caesar as an author of a wide range of genres is, therefore, bound to be eye-opening. The letters reveal Caesar as a man truly interested in lenitas and anxious about avoiding any identification with Sulla and his policies. There is also an informal formality, a conscious familiarity which surprises. Caesar's poem, found in Suetonius' bibliography of Terence, is sure to delight, and it offers a rare glimpse into his wit and his ability to condemn while praising. Tatum devotes most of the space in the reader to commentary and grammatical explanations. The reader's best parts are Tatum's deft discussions of the cultural, historical, and stylistic features of each selection. Tatum provides solid, grounded context for each reading, and does not shy away from the subtlety and implications present there. In particular, Tatum's comments often persuade the student to examine motive and style in clever and interesting ways. He also gives plenty of explanations for culturally-laden terms like officium and hospitium, or technical terms such as rogatio, fides, or ambitus so that a student can attain a greater degree of understanding of the point of an argument. The intermediate students for whom the series is designed are first beginning to think about how style and word order affect the meaning and presentation of argument, and Tatum devotes much space to this idea. As an example from BC 1.4, Tatum remarks about the sentence Catonem veteres inimicitiae Caesaris incitant et dolor repulsae that "by appending this motive after the main verb Caesar underlines its importance ... [that] it was embarrassing for a man of Cato's pedigree and pretensions to fail to reach the consulship." (96) Tatum even includes an appendix on prose and oratorical rhythms, though it ultimately only references Caesar's funeral oration fragment. Would that he had devoted time to analyzing rhythm in other included speeches. His grammatical notes, however, are more uneven. While Tatum will sometimes clear up items that an intermediate student may find strange, as in Caesar 's use of the singular dividit when he has just provided a plural subject, Matrona et Sequana, or notes discussing epistolary tenses (151), there are far too many notes pointing out what an intermediate student can surely notice on their own, for example, repetitious reminders to imagine a form of esse in each of six periphrastic gerundives within a space of four lines in BG 2.20, or page 35's note that inductus agrees with is. Tatum's Caesar is not going to be a popular choice among secondary school teachers, since most of what is on the Advanced Placement syllabus is not in his reader. For an intermediate college class, however, particularly one more interested in theme and history rather than being strictly author centered, there is a lot here to recommend. NECJ 39.4 (2012) Thomas J. Howell Belchertown High School, Belchertown, Mass.
Review by: James Cox, Midwest Book Review - Library Bookwatch July 2012 - July 24, 2012
Bolchazy-Carducci Publishers have long been known for their exemplary publishing lists in the field of Latin and Greek language studies curriculum materials. Of special note for the study of Latin are their four volume 'Reader' series, each of which is authored by academic experts in the language and in their ability to craft curriculum materials that are thoroughly 'student friendly'. Four volumes that should be a part of every personal, professional, and academic library Latin Studies reference collection includes: "A Caesar Reader: Selections from Bellum Gallicum and Bellum Civile, and from Caesar's Letters, Speeches, and Poetry" (9780865166967, $19.00) by W. Jeffrey Tatum, Ronnie Ancona and Laurie Haight Keenan; "A Suetonius Reader: Selections from the Lives of the Caesars and the Life of Horace" (9780865167162, $19.00) by Josiah Osgood; "A Lucan Reader: Selections from Civil War" (9780865166615, $19.00) by Susanna Braund; and "A Roman Verse Satire Reader: Selections from Lucilius, Horace, Persius, and Juvenal" (9780865166851, $19.00) by Catherine Keane. Drawing from classic works of antiquity, each of these four volumes are invaluable, inexpensive, and strongly recommended contributions to the growing body of Latin Language instruction materials suitable as supplemental texts for classroom use, as well as individual studies curriculums.
Review by: Sharon Kazmierski, The Classical Outlook - June 1, 2009
GOOD THINGS COME IN SMALL PACKAGES Bolchazy-Carducci has recently commenced launching the first titles in its Latin Reader series, a new collection of innovative high intermediate and advanced Latin readers, specifically designed for college-level study. Under the expert guidance of series editor Ronnie Ancona, Professor of Classics at Hunter College and The Graduate Center, City University of New York, these small, duodecimo-sized paperbacks are intended to introduce authors and genres to students in upper division undergraduate courses. Written by recognized experts, each book will include approximately 500-600 lines of authentic Latin text, accompanied by a thorough introduction, bibliography of suggested reading, annotated commentary, and full vocabulary. There are currently two volumes available, A Lucan Reader: Selections from Civil war (ISBN 978-0865166615) by Susanna Braund and A Terence Reader: Selections from Six Plays (978-0865166783) by William S. Anderson. According to the Bolchazy website, seventeen additional volumes are currently scheduled to be issued. Upcoming authors include Plautus, Sallust, Cicero, Sueconius, Tacitus, Vergil, Caesar, Martial, Apuleius, and Livy. Topics co be covered include Roman Women, Roman Verse Satire, Latin Epic, and Roman Army. Additional authors and themes are under consideration. The inaugural volume, A Lucan Reader, is an introduction to the Silver Age epic poem (often referred to as Pharsalia) retelling the events of the Civil War between Julius Caesar and Pompey. Rarely studied by third and fourth-year college Latin students, this reader provides the opportunity for advanced undergraduates to sample some difficult but fascinating Latin. Following a detailed and compelling introduction, Braund has selected high interest passages: the causes of the Civil war, Caesar at the Rubicon, the abandonment of Rome, the necromancy of Erichtho, Pompey's visitation by Julia's ghost, and Caesar in Troy. I have never read Lucan, bur now find myself intrigued. The second volume, A Terence Reader, released just this summer, is an introduction to Roman Comedy. Following a consistent format, Anderson's introduction provides essential background for students and a brief history of Roman Comedy. He then proceeds to explain what made Terence's plays unique, original and thought-provoking. Selections in this volume include excerpts from Andria, Heauton, Phormia, Hecyra, Eunuchus, and Adelphoe, followed by commentary to put the passages in context and provide grammatical assistance. There is also a helpful appendix, with information regarding comic meters. Fans of comedy will be happy to know that the next volume in the series, to be released later this year, will be A Plautus Reader: Selections from Eleven Plays (ISBN 978- 0-86516-694-2) by John Henderson. Given the size of these short readers, teachers and professors should find them useful when customizing a course. Professor Ancona notes that they are ideal for use in combination. I observe that they are inexpensive ($19.95) compared to many college textbooks. Instructors can feel free to mix and match authors and themes to suit their curriculum without causing too much damage to their students' bank accounts. Motivated readers of Latin can sample new authors and themes with expert guidance. Secondary school teachers may even wish to challenge their skilled Advanced Placement students after completing the exam, using some of these selections as a follow-up to the anticipated Caesar/Vergil syllabus. To discover more about this intriguing new collection, visit the BC Latin Readers website at http://www.bolchazy. com/readers/ where you can find out more about what will be included in each volume as well as read a short biography of each series author. To see Bolchazy's complete catalog, visit the main website at http://www.bolchazy.com. Questions may be directed to their customer service at info@bolchazy.com. You may also write their headquarters at Bolchazy-Carducci Publishers, Inc., 1570 Baskin Road, Mundelein, Illinois 60060, Tel, (800) 392- 6453, Fax: (847) 526-2867. -Sharon Kazmierski The Clearing House, Classical Outlook Fall 2009
Bookmark and Share

Email A Friend

Send your friend a link to this product.